There have been people that have passed on over the years that we have been able to muster up a fond tribute to, but with the man who is the epitome – dare we say the template – of artist as revolutionary, the words cannot be said. The news is just coming down as we write this: Revolutionary poet and musician Gil Scott-Heron, who is best known for his iconic piece “The Revolution Will Not Be Televised”, has died in New York City at the age of 62. There is over 40 years of work he has given us out there, and it has influenced the likes of Public Enemy, Michael Franti and Spearhead, and Kanye West. So long as there is a struggle going on, there will always be someone that he will continue to inspire. We are so glad that he was around. Rest in Peace, brother. Rest in the peace you so richly deserve.
NPR
Gil Scott-Heron died Friday afternoon in New York, his book publisher reported. He was 62. The influential poet and musician is often credited with being one of the progenitors of hip-hop, and is best known for the spoken-word piece “The Revolution Will Not Be Televised.”
Scott-Heron was born in Chicago in 1949. He spent his early years in Jackson, Tenn., attended high school in The Bronx, and spent time at Pennsylvania’s Lincoln University before settling in Manhattan. His recording career began in 1970 with the album Small Talk at 125th and Lenox, which featured the first version of “The Revolution Will Not Be Televised.” The track has since been referenced and parodied extensively in pop culture.
Scott-Heron continued to record through the 1970s and early ’80s, before taking a lengthy hiatus. He briefly returned to the studio for 1994’s Spirits. That album featured the track “Message to the Messengers,” in which Scott-Heron cautions the hip-hop generation that arose in his absence to use its newfound power responsibly. He has been cited as a key influence by many in the hip-hop community — such as rapper-producer Kanye West, who closed his platinum-selling 2010 album My Beautiful Dark Twisted Fantasy with a track built around a sample of Scott-Heron’s voice.
Scott-Heron struggled publicly with substance abuse in the 2000s, and spent the early part of the decade in and out of jail on drug possession charges. He began performing again after his release in 2007, and in 2010 released a new album, I’m New Here, to widespread critical acclaim.
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